Deafheaven, Sumac, Balance at Rickshaw Theatre – December 4th 2014

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VANCOUVER — Thursday night started off with beers at Buick 6, a bar down the street from the Rickshaw Theatre. My friends and I were waiting with excitement to hear Sumac and Deafheaven take over the Rickshaw Theatre. Balance, a band from Vancouver, took the stage a little after 9 p.m. and got the crowd going with a hardcore sound.

Sumac is a supergroup with Aaron Turner (Old Man Gloom & Isis), Nick Yacyshyn (Baptists) and Brian Cook (Russian Circles). Sumac was a treat to watch and Aaron moves and shakes with excitement with every scream and guitar riff. Sumac officially played their first-ever live show and graced our ears with gradual progressive riffs that lead into sludgy crevices but kept the listener afloat with high pitch guitars. It was lovely.

Deafheaven (George Clarke and Kerry McCoy) came up on stage and started setting up their guitars and mics themselves. They then left the stage for a more ambient entrance with dimmed lights. They played songs from Roads to Judah (2011) and their most recent full length, Sunbather(2013).

Heavy metal music is a staple in my diet and Deafheaven walks that metal line well. Their live show was entertaining mostly because frontman Clarke convulses with the passion and love of his music. There is no doubt in my mind that music is his life. McCoy played the guitar with little movement or excitement in his face, a major contrast to George.

The crowd busted over with excitement when George announced they were to play their single, “From the Kettle Onto the Coil.” This fast black metal-laced song with crushing drums, vocals and beautiful guitars ended the night on a high note.

Photo and review by Serena Navarro

Thanks to Beatroute for the opportunity to review this show.

Want grit, heavy, opaque, twisting melodies with some beauty?! Usnea – Random Cosmic Violence

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Relapse Records

Usnea, a Portland Oregon metal band, suggests on their Bandcamp that their second full length,Random Cosmic Violence is “one of those rare records that elevates itself above the boundaries that its genre typically self-imposes.” This is evident on Random Cosmic Violence as it takes a journey through funeral doom, black metal, sludge, death and doom genres. The album clocks in at just under an hour with only four songs. Justin Cory and Orion Landau crafted the album’s artwork, which is simple yet grand.

The rhythm and lyrics of the entire album are tribal in nature with twisting transfixed melodies and a rhyme similar to a beat poet. There are several highlights elevated by vocals drenched with grit, such as the opening of “Healing Through Death.” The title track does exactly what the title suggests. The lyrics are opaque and the sound is piercing and heavy. Usnea even adds acoustic guitar to the mix to calm the spirits before hurling down the cosmic highway with rolling drums. Usnea want to “explore the universe for the origin of how this all happened” and if you yearn for that journey, you should listen along.

By Serena Navarro

Thanks to Beatroute for providing the album to review.