VANCOUVER — Mayhem, the infamous Norwegian black metal band, was formed in Oslo in 1984 by guitarist Oystein Aarseth (“Euronymous”), bassist Jorn Stubberud (“Necrobutcher”), and drummer Kjetil Manheim. Suicides, homicides, and the burning of churches – yes it’s all related quite heavily to Mayhem and will forever be. Although littered with controversy over the years about band members being neo-Nazis, misanthropic and anti-Christian, Mayhem has continued making music, which has been characterized by the band’s revolving door of musicians. The possibility of the music standing for itself was always a question the metal community took to heart. Many a conversation and heated arguments have been had over the years. Regardless, Mayhem has continued on, with the current line up consisting of Necrobutcher, drummer Hellhammer, vocalist Attila Csihar, and guitarists Ghul and Teloch.
Esoteric Warfare, Mayhem’s fifth studio album, was released, with hesitated excitement, in June of 2014 – almost seven years after their last album, Ordo Ad Chao. Teloch, the current rhythm guitarist of almost four years, made some time to answer questions via email.
Teloch explains that the lyrical theme of Esoteric Warfare is about “mind control, secret nazi societies, cold war and flying saucers… Attila (the vocalist and song writer) is really into stuff like this, where as I am not a believer of all these conspiracy theories.”
Attila Csihar, vocalist of Mayhem for over ten years (replacing previous vocalist “Dead” after he committed suicide) and vocalist for the infamous album De Mysteriis Dom Sathanas, has recorded some of the most eerie and ghoulish ululations produced by a living entity for their new record. Seriously, it’s beautifully horid.
“We are into the more fucked up things in life…instead of flowers and machines for the kitchen,” Teloch explains about creating Esoteric Warfare. “It started with me making a vocal guide for Attila and we built the lyrics and vocal performances around that. He is a dream to work with and is always open to try new things.”
When asked about the musical aspect of the album Teloch confesses that it’s mostly straightforward Mayhem material for the first four songs “but the rest of the album is more experimental… I tried introducing some new elements.” For example the song “Milab” was written “as a very soft song, but it still has that creepy Frankenstein feeling to it that I like,” Teloch explains.
The inspiration for such demonic sounds from the album comes from a Canadian source. “Actually I was trying to make a Voivod-inspired song, but more evil,” Teloch confesses. “I get inspired by everything… a noise from a car parked outside my window… simple things like weird sounds that surround me in my daily life.”
Teloch responded to some controversial questions about Mayhem’s past and the contributions of Dead and Euronymous by simply stating, “This is Mayhem, so the intensity is quite rough sometimes when discussing things. I didn’t know the Euro or Dead, so I don’t speak about them. I hear some of the guys that knew them talk sometimes about them yes, of course. They were a big part of this band’s history… but then again I’m more interested in the future then the past.”
Mayhem just might be around for another 30 years if Teloch has his way, “but it’s not getting easier with this kind of extreme metal. Maybe its time to slow down a little bit for the next couple albums so that we can have some slow songs to play when we hit 70 or 80 years old,” jokes Teloch.
So, perhaps we can expect some slower songs from the next Mayhem album, but for now it’s all about the crude, obscured and maniacal metal.
By Serena Navarro
Mayhem perform at the Rickshaw Theatre January 26.
Thanks to Beatroute for publishing this article.